| Sandy Pearlman | |
|---|---|
| Birth name | Samuel C. Pearlman |
| Born | August 8, 1943 USA |
| Occupations | Music producer, manager, record executive |
| Years active | 1978–present |
| Associated acts | Blue Öyster Cult The Clash The Dictators Pavlov's Dog Black Sabbath Cosmic Free Way Dream Syndicate |
Sandy Pearlman (born Samuel C. Pearlman, August 8, 1943) is an American music producer, artist manager, professor, poet, songwriter, and once was a record company executive. He is best known for founding, writing for and producing or co-producing nearly every album by Blue Öyster Cult, as well as important albums by The Clash, The Dictators, Pavlov's Dog, Space Team Electra and Dream Syndicate, and for being the founding Vice President of emusic.com. He is currently the Schulich Distinguished Professor Chair at the Schulich School of Music at McGill University in Montreal.
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Pearlman grew up in Smithtown, Long Island, New York, the son of successful drug store operator Hyman Pearlman.[1] He received his B.A. from the State University of New York at Stony Brook in 1966, where he had been Student President. He was awarded a Woodrow Wilson Fellowship in the History of Ideas, and completed graduate work at Brandeis University. He was also a New School Fellow in Sociology and Anthropology. As a University student, Pearlman wrote a series of poems called Imaginos, whose characters and lyrics would feature in his later career.
In 1967, Pearlman hand-picked musicians for a rock band to perform the songs that he was writing, based on his Imaginos poems. He dubbed the band "Soft White Underbelly" (from a World War II speech by Winston Churchill) and later changed their name to "Blue Öyster Cult". He managed the band (with Murray Krugman) from 1967–1995, and produced or co-produced 12 of their albums. Significantly, Pearlman was co-producer, with David Lucas and Murray Krugman, of BÖC's "(Don't Fear) The Reaper" in 1976.[2] A Saturday Night Live parody skit of the making of “Reaper”, featured Christopher Walken portraying Pearlman.[3] The song reached #12 on the Top 40 charts[4] and has remained an FM radio staple since. On the Rolling Stone list of top 500 songs of all time, it is listed as #405.[2]
In 1967 he was one of the original rock music critics for Crawdaddy! magazine, along with Paul Williams, Jon Landau and Richard Meltzer. He is considered an important figure in the development of both alternative and commercial American rock music, and for his intervention in British punk. He was drafted by record company CBS to produce Give 'Em Enough Rope, The Clash's second album, which gave the band their largest audience to date, and also produced many of the tracks that were compiled in "Black Market Clash". He was described as the “Hunter Thompson of rock, a gonzo producer of searing intellect and vast vision.”, in the Billboard Producer Directory.[3]
Pearlman also worked as a full-time artist manager, managing the careers of Blue Öyster Cult, Black Sabbath (1979–1983), Romeo Void, The Dictators, Shakin' Street, Aldo Nova and others. In the 1980s, he pioneered the mega-tour stadium format of several bands traveling together, sharing promotional costs and production and travel costs, a format persisting today with the Lollapalooza Festival, the Lilith Fair and related tour packages.[5]
In 1986, Sandy Pearlman leased Studio C in San Francisco's Hyde Street Studios from studio owner Dan Alexander. Pearlman ran a recording operation in Studio C as Alpha & Omega Studio until 1991. He also used it for his own projects, including those on his short-lived MCA-distributed label Popular Metaphysics, and he also sub-leased it to other producers and artists.[6][7] In 1989 he took over as president of the alternative record company 415 Records and established a production and distribution deal for the label with MCA Records, before purchasing the company and changing the label's name to Popular Metaphysics.[8] The label was short lived, but it signed a few solid acts and released their records on the MCA label, including Love Club (1990), Manitoba's Wild Kingdom (1990), and World Entertainment War (1991).[9][10][11] The 1991 edition of Mark Garvey's Songwriters' Market, published in 1990, carried a listing that read as follows: "*SANDY PEARLMAN, INC., 245 Hyde St., San Francisco CA 94102. (415)885-4999. A&R Director: Natasha V. Record producer, record company (Popular Metaphysics, formerly 415), recording studio (Alpha & Omega Recording, Hyde Street Studios)."[7]
In the late 1990s, Pearlman served as the founding vice-president of e-music.com, a subscription store for download-to-own online music and audiobooks that is headquartered in New York City and currently owned by Dimensional Associates. eMusic was one of the first sites to sell music in the MP3 format, beginning in 1998. As of September 2008, eMusic had over 400,000 subscribers.[12]
He also served as vice-president of media development for MoodLogic.com, the first on-line music recommendation engine, from 2000-2003.
In 2009, Sandy Pearlman was appointed as an at-large member of the National Recording Preservation Board (NRPB) of the Library of Congress.[13][14]
Pearlman is presently the Schulich Distinguished Chair of music at McGill University in Montreal, specializing in the programs in music theory, sound recording and music technology. He has been a visiting lecturer at Harvard, Stanford, University of California Berkeley, UC Santa Cruz, and has been an invited speaker at the Mill Valley Film Festival, Future of Music Coalition, Canadian Music Week and SxSW Festivals. As a Professor and as a public speaker, Pearlman lectures on the architecture of the music industry, strategies for re-monetizing music downloads, and the history and future of music.
His production career is currently managed by Peter Shershin at Breathing Protection, Inc.[15]
Pearlman is the recipient of 17 gold and platinum records.[3]